I’m so grateful to all my supporters and fans (I didn’t think I’d have ‘fans’, but apparently I do, and you’re all amazing!).
I’ve really enjoyed playing in my fictional worlds with everyone who has joined my Ko-Fi so far. I didn’t think I’d get single figures of members, let alone double figures, so again that’s been amazing.
You can check out all the posts, the short fiction available, the rewards to claim, and all the perks, via “My Fiction” in my main menu, above.
It seems very odd to use my own website to highlight myself as a “Woman In Horror”, because you probably know that, or why are you here? But it also seems a bit odd to totally ignore myself while highlighting everyone else.
I started off self-publishing. I had intended from the start to self-publish The Crows, and I had already lined up an illustrator (Tom Brown) to work with. I had been in writing groups on Facebook for years, and had spent a long time querying my Wattpad fantasy series without success. A few people in our group had gone on to get traditional deals or had a very successful self-publishing route. I felt that self-publishing was the way to go for The Crows.
From Twitter Pitch to Self-Publishing
I pitched it on a whim in a Twitter event, and it got a full manuscript request from an editor at Rebellion Publishing, whose imprints include Abaddon and Solaris. It wasn’t what they were looking for in the end, but I had a real boost from the rejection and the feedback. It also cemented for me that I wanted to continue with the self-publishing route.
The Crows went through several beta reader rounds, multiple edits with a professional editor, and I believe it was the best it could have been at the time I wrote it. I think if I wrote that story again, now, it would be a different book; I’m not the same person or writer as I was in 2018-2019.
Its loose sequel took me in a very different direction to the one I thought it would go, and I still think there are stories to be told with a focus on Carrie & Ricky in the intervening months between those two timelines. It had a completely different tone and focus to the one I’d envisioned, but then, The Crows was never meant to be a series.
Thirteenth was received really well – much better than I expected. It was released in 2021, and I am still very proud of it.
How I got Trad Pubbed by Accident
In 2023, I was cold-pitched by the commissioning editor of Canelo Books’ new Horror imprint, Canelo Horror, completely out of the blue. I still don’t know how he found the books in the first place, but he had read both and loved them. I sold the print rights to Canelo for The Crows and Thriteenth, but I wanted to keep to the proposed timetable for The Day We Ate Grandad, which I had advertised to come out in April 2023; the cold-pitch came in March, and was for the first 2 books only.
The Crows and Thriteenth were re-released by Canelo in 2024; Canelo was bought by DK Publishing in 2025, which is in turn an imprint of Penguin Random House, and I now have a Penguin Random House author page.
It’s the consequence of having a good product to start with, and completely random, extreme good luck, that I can’t replicate or explain.
I am still unagented – I had a nibble from an agent in 2024, when I was still blown away by the Canelo contract and thought about seeking representation more seriously, but that didn’t come to anything in the end. I remain without representation at this time largely by choice.
I am now an active member of the HWA and British Fantasy Society, and look forward to the next chapter of my author journey.
follow me on social media: I’m @cmrosens.com on Bluesky @cm.rosens on Instagram, TikTok, and Threads. Find me on Facebook, Pillowfort and tumblr at CMRosens. I’m very easy to locate!
Get to know Gothic Fantasy author Nadine Bells (she/her), and her debut novella, ONCE UPON A SONG, a blend of Anastasia the Musical, The Snow Queen, and Phantom of the Opera.
Meet debut author eskay (no pronouns/use eskay as pronoun/isn't offended by they/them!). eskay has a free novel on Itch, and discusses how eskay went from creative writing novice to finishing a whole novel. Read on to find out!
Meet Thomas Wrightson (he/him), a Welsh writer living on Ynys Mon/Anglesey, and find out more about his queer, genre-bending Sci-Fi, and his award-winning Horror Audio Drama THE ANGRY HOUSE, produced by Alternative Stories.
Meet Chloe Clark (she/her), a Sci-Fi author of Collective Gravities, Escaping the Body, Patterns of Orbit and more. This spotlight focuses on her latest collection, EVERY GALAXY A CIRCLE. Follow Chloe on Bsky @pintsncupcakes.bsky.social
Meet Adrianne Brooks, the author of over 15 paranormal/fantasy novels. We take a look at two of them set in the same universe: Age of Defiance, and Riding Nerdy.
Meet Kai Zeal (she/her) and her Riyati series,a new adult/adult contemporary, low, dark fantasy series focusing around the reincarnations of a fallen kingdom’s royalty, and how even from thousands of years later, generational legacies and traumas still follow them.
Subscribe to my newsletter to stay updated! I send newsletters around once a month. You can also subscribe to my site so you don’t miss a post, but I also do a post round-up in my monthly newsletters, along with what I’ve been working on, what I’ve been reading, and what I’ve been watching. I will often update newsletter subscribers first with news, so stay ahead of the game with my announcements and discount codes, etc!
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_gac_
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
__utma
ID used to identify users and sessions
2 years after last activity
__utmt
Used to monitor number of Google Analytics server requests
Leave a Reply