A Scare A Day Reading Challenge

A graphic with black background, a carved grinning pumpkin with purple mouth and eyes, cobweb decorations at the corners, and spooky orange text reading A Scare A Day. Plain text reads: 2026, A Romancing the Gothic Reading Challenge. #AScareADay - List compiled by Dr Sam Hirst.

Romancing the Gothic founder and organiser, Dr Sam Hirst, is back for another month of A Scare A Day. Dr Hirst curates a daily reading list, and the challenge is to read the story or poem for that day and post your thoughts on social media using the tag #AScareADay (not #ScareADay – don’t forget the ‘A’ at the start like I always do!)

Last year, I posted a creative response to each story or poem featured in the challenge, and turned them into Season 05 of Eldritch Girl, where I talked about the stories and poems, and read my fiction/non-fiction piece inspired by the daily read.

This year, I’m pairing the challenge with #100HorrorMoviesIn92Days so I’m going to be suggesting a film pairing to go with the story/poem, the way I do for my book reviews over on Divination Hollow.

The challenge list is posted on RomancingTheGothic.com, and below. To thank Sam for this service, you can leave them a tip on Ko-Fi!

The “A Scare A Day” Daily Reading List 2026

October 1st – Joanna Baillie – Night Tales of Other Times – 1790 – Read it here

October 2nd – Nikolai Karamzin – The Island of Bornholm – 1794 – Read it here

October 3rd – Anne Bannerman – The Black Knight of the Water – 1802 – Read it here

October 4th – William Harrison Ainsworth – The Spectre Bride – 1821 – Read it here

October 5th – Charles Pigault-Lebrun – ‘The Unholy Compact Abjured’ – 1825 – Read it here

October 6th – Mary Elizabeth Braddon – ‘The Cold Embrace’ (1860) – Read it here

October 7th – Amelia Edwards – ‘In the Confessional’ (1871) – Read it here

October 8th – Elizabeth Stuart Phelps – ‘Since I Died’ (1873) – Read it here

October 9th – Mary Elizabeth Coleridge – ‘The Witch’ (1893) – Read it here

October 10th – Arthur Machen – ‘The Novel of the White Powder’ (1895) – Read it here

October 11th – Gertrude Atherton – ‘The Striding Place’ (1896) – Read it here

October 12th – Elia W. Peattie – ‘From the Loom of the Dead’ (1898) – Read it here

October 13th – Mrs Wilson Woodrow – ‘Secret Chambers’ (1909) – Read it here

October 14th – W W Jacobs – The Well (1911) – Read it here

October 15th – Violet Hunt – ‘The Prayer’ (1911) – Read it here

October 16th – Rabindranath Tagore – ‘The Lost Jewels’ or Monihara (trans. 1917) – Read it here

October 17th – Ellen Glasgow – ‘The Past’ (1920) – Read it here

October 18th – Mikhail Bulgakov – ‘The Red Crown’ (1922) – Read it here

October 19th – John Masefield – ‘The Haunted’ (1923) – Read it here

October 20th – Elsa Morante – The Secret Game (1941) – Read it here

October 21st – Dorothy Quick – ‘After an Air Raid’ (1943) – Read it here

October 22nd – Mayra Montero – ‘Corinne, Amiable Girl’ (1994) – Read it here

October 23rd – Ahmed Khaled Tawfik – ‘The Wall’  – Read it here

October 24th – Mariana Enríquez – ‘The Little Angel’s Exhumation’ (2014) – Read it here

October 25th – A. C. Wise – ‘The Stories We Tell About Ghosts’ (2017) – Read it here

October 26th – Brandon O’Brien – ‘The Lagahoo Speaks For Itself’ (2017) – Read it here

October 27th – Darcie Little Badger – ‘Those Hitch-hiking Kids’ (2023) – Read it here

October 28th – Tyler Sookralli – ‘The Devil Wears Skin’ (2024) – Read it here

October 29th – Eleanna Castroianni – ‘They Return’ (2025) – Read it here

October 30th – Ash Vale – ‘consumed’ (2026) – Read it here

October 31st – Quincy Lee – ‘The Dark Follows Me’ (2026) – Read it here


A Scare A Day: Day 30

Day 30: “Consumed” by Ash Vale (2026). Read it here.

Ash Vale (they/them) is a queer, non-binary Canadian writer who has an affinity for teeth and weird little guys in the woods. Their short fiction and poetry has been or will soon be published in places like Uncharted, PseudoPod, If There’s Anyone Left, and more. They’re also one of the co-founders of Otherside Spec, a queer-led speculative fiction magazine for 2SLGBTQIA+ authors, poets, and artists. Their stories and monthly newsletter can be found at ash-vale.ca.

Another poem! This one packs a punch. It’s a poem about gender dysphoria externalised as a monster who consumes the narrator. I read it over a few times, and I did like this a lot.


A Scare A Day: Plot Summary

The narrator of the poem has had lovers who consumed them figuratively, in negative ways, but this lover is an externalisation of their gender dysphoria, eating what makes them a woman. In this consumption, the narrator finds freedom to be themselves.


A Scare A Day: Film Pairing

Movie still from In My Skin with a woman biting her own wrist in the dark.

For a whole list of girl dinners, in honour of the lover (she/her) of the poem, here’s a Dread Central list of films featuring female cannibals and women suffering from autosarcophagy, and this is one of them.

Dans ma peau/In My Skin (2002) dir. Marina de Van, written by Marina de Van. After a disfiguring leg injury, a young woman begins to mutilate and eat herself in order to make peace with her body and find herself again. It isn’t necessarily a gender dysphoria film but it’s a close parallel to the poem, I think.

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