A Scare A Day Reading Challenge

A graphic with black background, a carved grinning pumpkin with purple mouth and eyes, cobweb decorations at the corners, and spooky orange text reading A Scare A Day. Plain text reads: 2026, A Romancing the Gothic Reading Challenge. #AScareADay - List compiled by Dr Sam Hirst.

Romancing the Gothic founder and organiser, Dr Sam Hirst, is back for another month of A Scare A Day. Dr Hirst curates a daily reading list, and the challenge is to read the story or poem for that day and post your thoughts on social media using the tag #AScareADay (not #ScareADay – don’t forget the ‘A’ at the start like I always do!)

Last year, I posted a creative response to each story or poem featured in the challenge, and turned them into Season 05 of Eldritch Girl, where I talked about the stories and poems, and read my fiction/non-fiction piece inspired by the daily read.

This year, I’m pairing the challenge with #100HorrorMoviesIn92Days so I’m going to be suggesting a film pairing to go with the story/poem, the way I do for my book reviews over on Divination Hollow.

The challenge list is posted on RomancingTheGothic.com, and below. To thank Sam for this service, you can leave them a tip on Ko-Fi!

The “A Scare A Day” Daily Reading List 2026

October 1st – Joanna Baillie – Night Tales of Other Times – 1790 – Read it here

October 2nd – Nikolai Karamzin – The Island of Bornholm – 1794 – Read it here

October 3rd – Anne Bannerman – The Black Knight of the Water – 1802 – Read it here

October 4th – William Harrison Ainsworth – The Spectre Bride – 1821 – Read it here

October 5th – Charles Pigault-Lebrun – ‘The Unholy Compact Abjured’ – 1825 – Read it here

October 6th – Mary Elizabeth Braddon – ‘The Cold Embrace’ (1860) – Read it here

October 7th – Amelia Edwards – ‘In the Confessional’ (1871) – Read it here

October 8th – Elizabeth Stuart Phelps – ‘Since I Died’ (1873) – Read it here

October 9th – Mary Elizabeth Coleridge – ‘The Witch’ (1893) – Read it here

October 10th – Arthur Machen – ‘The Novel of the White Powder’ (1895) – Read it here

October 11th – Gertrude Atherton – ‘The Striding Place’ (1896) – Read it here

October 12th – Elia W. Peattie – ‘From the Loom of the Dead’ (1898) – Read it here

October 13th – Mrs Wilson Woodrow – ‘Secret Chambers’ (1909) – Read it here

October 14th – W W Jacobs – The Well (1911) – Read it here

October 15th – Violet Hunt – ‘The Prayer’ (1911) – Read it here

October 16th – Rabindranath Tagore – ‘The Lost Jewels’ or Monihara (trans. 1917) – Read it here

October 17th – Ellen Glasgow – ‘The Past’ (1920) – Read it here

October 18th – Mikhail Bulgakov – ‘The Red Crown’ (1922) – Read it here

October 19th – John Masefield – ‘The Haunted’ (1923) – Read it here

October 20th – Elsa Morante – The Secret Game (1941) – Read it here

October 21st – Dorothy Quick – ‘After an Air Raid’ (1943) – Read it here

October 22nd – Mayra Montero – ‘Corinne, Amiable Girl’ (1994) – Read it here

October 23rd – Ahmed Khaled Tawfik – ‘The Wall’  – Read it here

October 24th – Mariana Enríquez – ‘The Little Angel’s Exhumation’ (2014) – Read it here

October 25th – A. C. Wise – ‘The Stories We Tell About Ghosts’ (2017) – Read it here

October 26th – Brandon O’Brien – ‘The Lagahoo Speaks For Itself’ (2017) – Read it here

October 27th – Darcie Little Badger – ‘Those Hitch-hiking Kids’ (2023) – Read it here

October 28th – Tyler Sookralli – ‘The Devil Wears Skin’ (2024) – Read it here

October 29th – Eleanna Castroianni – ‘They Return’ (2025) – Read it here

October 30th – Ash Vale – ‘consumed’ (2026) – Read it here

October 31st – Quincy Lee – ‘The Dark Follows Me’ (2026) – Read it here


A Scare A Day: Day 26

Day 26: “The Lagahoo Speaks For Itself” by Brandon O’Brien (2017). Read it here.

Brandon O’Brien is a poet and writer from Trinidad and Tobago whose work has appeared in Uncanny Magazine, Strange Horizons, and New Worlds, Old Ways: Speculative Tales from the Caribbean, among other outlets.

This is a poem that stands up to multiple readings, and I think deserves to be read and re-read to get the full sense of it. I really love the rhythm and the voice. I love the idea of the lagahoo as a vigilante of sorts, a punisher, setting himself against abusers and showing that he is not the monster, they are not the same.


A Scare A Day: Plot Summary

The lagahoo is identified only by the title, and the poem is in first-person, addressing the reader. The lagahoo asks if the reader thinks he is the monster – then breaks down who is more monstrous.

The lagahoo says he does not eat his own young in the way some humans do, metaphorically speaking, and sets himself up as a danger to these people who hurt children, memorialising the children adults forget.


A Scare A Day: Film Pairing

A still from La Ciguapa Siempre, in which the protagonist, a Black woman with long black hair and completely black eyes, screams.

It’s a short film for today, to match the short poem! I’ve gone with Dominican horror short, La Ciguapa Siempre (2021) dir. Monica Suriyage, written by Monica Suriyage.

I thought we’d go with a female monster from the Caribbean as an answer to the lagahoo poem, but also one that reflects the poem’s themes of monstrous identity, and restoring justice and agency in a monstrous way.

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